![]() ![]() At most turns, Mendoza and Gregg Hurwitz’s script exhibits little interest in logic, surprise or nuance, since all might interfere with Momoa’s vicious throwdowns. Still, such predictability is in keeping with the meat-and-potatoes nature of this affair. Ray believes there’s a conspiracy afoot involving BioPrime and other shadowy players, and considering that there are only two characters who could be behind it all - Keeley’s crooked partner Vinod Shah (Raza Jaffrey) and anti-Big Pharma congresswoman Diana Morgan ( Amy Brenneman) - it’s not difficult to figure out who’s to blame. Six months after Amanda’s untimely demise, Ray is contacted by a Vice reporter (Nelson Franklin) who claims to have inside information about BioPrime’s nefariousness, and Ray agrees to meet him on a subway train, at which point an assassin (Manuel Garcia-Rulfo) appears out of nowhere and executes the journalist in broad daylight, thus instigating the first of Ray’s many deadly fights.įrom there, “Sweet Girl” heads into ludicrous territory with a grimly straight face, as Ray follows through on his vow to Keeley and winds up on the run (with Rachel by his side) from a variety of lethal professionals who are no match for his strength and ferocity. ![]() ![]() Nonetheless, Momoa ably conveys Ray’s widower pain during a hospital hallway breakdown, exuding a depth of raw emotion that’s almost startlingly powerful given the absurdity that follows. The most we learn about Ray is that he likes to train at an MMA gym, thereby confirming his badass bona fides. Those are bold words from this ordinary man, whose background and profession are never revealed. I will hunt you down and kill you with my bare hands.” Sweet Girl, a mash-up of those two subgenres that stars Jason Momoa as a grieving husband who issues a death threat against pharmaceutical company higher-ups after his wife dies, frustrates. This naturally infuriates Ray, who upon seeing Keeley on CNN, calls into the TV show and makes a promise to the pharmaceutical titan: “If my wife dies, it’s your death sentence. Yet those prospects are dashed by BioPrime CEO Simon Keeley ( Justin Bartha), who squashes the release of this more affordable alternative in order to protect his profits. Hope briefly arrives when Ray and his 18-year-old daughter Rachel ( Isabela Merced) learn that a cheap generic version of Amanda’s costly medications will soon be available. 20.įollowing some cornball voiceover that accompanies the sight of Ray Cooper (Momoa) leaping off the roof of Pittsburgh’s PNC Park in front of FBI agent Sarah Meeker (Lex Scott Davis), “Sweet Girl” rewinds to detail the misfortune that befalls Ray when his wife Amanda (Adria Arjona) falls ill with cancer. Delivering the sort of R-rated macho carnage that was all the rage in the ’80s and ’90s, the film benefits from its gung-ho treatment of preposterous material, and should entice genre aficionados when it debuts on Netflix on Aug. An actioner about a father who responds to personal tragedy by going on a bloodthirsty rampage with his teen daughter in tow, Brian Andrew Mendoza’s feature debut is a giddily outlandish exploitation throwback, featuring Jason Momoa as a grieving bruiser whose answer for everything is violence, violence and more violence. Above all, it's just not really any fun.Big Pharma are killers, and they take a resounding beating, in “Sweet Girl” - literally. Underwood got a subtle purple daisy flower tattooed on her forearm, while her sisters-in-law got a set of flowers, a white sparkle and a flock of birds, respectively. Meanwhile, the dialogue is uninspired and often exposition-heavy, the action set-pieces are distinctly mediocre, and the pharmaceutical conspiracy plot is half-baked and not particularly interesting. My sweet baby girl is in Paris, and I don’t know how she got there. You don't get the impression that these characters are real, living people that exist outside the movie – which makes it that much more difficult to care a jot about what happens to them. My baby girl is in Paris - illustration by Avi Katz. Momoa is a brooding presence as Ray, but there isn't any discernible chemistry between him and his supposed daughter, with their dynamic never coming across as particularly engaging or believable. Sweet Girl Lyrics: I think about it all the time / And it cuts like a knife / Youre a suicide / When it fell between her eyes / And her eyes they will. The plot moves forward fairly quickly – with several time jumps in the opening stages – but never really settles into any kind of rhythm, with the clumsy setup preventing any real momentum from gathering. To begin with, it's all just a little dull. ![]()
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